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Artists from Across the Americas Encouraged to Submit Qualifications for Five Major Permanent Works of Public Art at Houston’s New International Terminal at George Bush Intercontinental Airport

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HOUSTON – The Houston Mayor’s Office of Cultural Affairs (MOCA), through the City of Houston’s Civic Art Program and on behalf of the Houston Airport System (HAS), is requesting submissions of qualifications from artists and artist teams to design, fabricate and install five major permanent works of public art for the new international terminal at the George Bush Intercontinental Airport. This opportunity is open to all artists in the United States and international artists in the Americas with U.S. representation.

“As a global city, Houston is also the nation’s most diverse city. One in four Houston residents was born abroad, and more than 145 languages are spoken here,” said Mayor Sylvester Turner. “It is fitting that we open this opportunity to artists from across the Americas whose talents can articulate the kaleidoscope of people that make our city special. These artworks will not only leave a profound impression on travelers passing through our international airport but will also strengthen our standing as a premier international city.”

Once complete, the new international terminal will feature a modernized ticketing and arrivals hall and will fully support post-pandemic growth in international traffic at the airport. It will also address capacity constraints in the central terminal area and improve baggage handling system capacity and reliability challenges. Additional international gates will welcome passengers travelling internationally with new views of artworks from Houston-area artists, commissioned through previously released opportunities.

Houston Arts Alliance (HAA), in collaboration with MOCA, will manage the artist selection process for this investment in public art, which has a reserved budget of 3 million dollars from HAS.

 

 

East Façade of the departures level parking garage at the new International Terminal at the George Bush Intercontinental Airport.

Five separate Requests for Qualifications are being released to commission artworks for the following key architectural spaces in the new international terminal:

  • Departures Façade (Passenger Drop-Off Area), a heavily trafficked area, where three artworks will be a major focal point with views throughout the hall and the exterior passenger drop off level. The RFQ calls for a “Panorama of Houston” that celebrates and reflects the rich and diverse local fabric that makes the city unique, such as Houston’s ecology, economy, recreation, diversity, food culture, and robust art culture. Budget: $857,000. Completion deadline: December 2023.
  • Departure Level Garage Wall Installation, a drop-off area where artwork will be a major focal point with views from the exterior drop-off area and the Departures Hall. The intent is for a large wall installation that reflects the inspiration and innovation of Houston, reflecting the “Panorama of Houston” theme. Budget: $600,000. Completion deadline: December 2023.
  • Arrivals Level Garage Wall Installation, a location where passengers wait for their transportation. The intent is for a large wall installation. The RFQ calls for a “Welcome to Houston” theme that celebrates and evokes the rich and diverse local fabric that makes Houston inspiring for residents and visitors alike. Budget: $600,000. Completion deadline: December 2023
  • Arrivals Pet Area Sculpture, a place where passengers await their transportation in the outdoor lounge area or pet relief area. The intent is for a large-scale free standing sculpture commission that reflects the “Welcome to Houston” theme. Budget: $334,000. Completion deadline: December 2023.
  • Arrivals Lobby Artwork (Elevator Bank), a spot where arriving passengers will view the Arrivals Lobby artwork as they make their way through to the passenger pick up area. The intent is for a large two-dimensional wall-mounted artwork commission, also inspired by the “Welcome to Houston” theme. Budget: $157,000. Completion deadline: December 2023.

Interested artists and artists teams should submit their qualifications and artwork samples to HAA, here, by Monday, April 11, 2022 at 11:59 pm.

Applicants who have questions can contact Houston Arts Alliance’s Civic Art + Design Department by sending an email to civicart@haatxhelp.zendesk.com no later than Wed., Mar. 30, 2022. Questions will be answered by no later than April 6.

For inquiries about this announcement, current opportunities for artists, or about the City of Houston’s Civic Art Program, please contact the Mayor’s Office of Cultural Affairs: cultural.affairs@houstontx.gov or 832.393.1099.

The Origin of Funding
Funds for the permanent work of public arts at George Bush Intercontinental Airport were allocated by a City of Houston ordinance which mandates that 1.75% of qualified and applicable Capital Improvement Project dollars be set aside for civic art. These funds are generated by the Houston Airport’s Enterprise Fund – a non-taxpayer, self-sustaining fund of the City. Under contract and in partnership with MOCA, Houston Arts Alliance administers these city-funded public opportunities to acquire and conserve the City of Houston’s public art pieces.

About the Mayor’s Office of Cultural Affairs
The City of Houston Mayor’s Office of Cultural Affairs guides the City’s cultural investments with policies and initiatives that expand access to arts and cultural programs in the community, attract visitors and leverage private investment. Learn more at www.houstontx.gov/culturalaffairs and follow us on Facebook & Instagram @HoustonMOCA.

About Houston Airports
Houston Airports is the City of Houston’s Department of Aviation. Comprised of George Bush Intercontinental Airport, IAH, William P. Hobby Airport, HOU, and Ellington Airport/Houston Spaceport, EFD, Houston Airports served 45 million passengers in 2021 and nearly 60 million in 2019. Houston Airports forms one of North America’s largest public airport systems and positions Houston as the international passenger and cargo gateway to the South-Central United States and as a primary gateway to Latin America. Houston’s Hobby Airport recently became the first 5-star airport in North America and Bush Airport maintained an exceptional 4-star rating for a fifth consecutive year.

About Houston Arts Alliance
Houston Arts Alliance (HAA) is a local arts and culture organization whose principal work is to implement the City of Houston’s vision, values, and goals for its arts grantmaking and civic art investments. HAA also executes privately funded special projects to meet the needs of the arts community, such as disaster preparation, research on the state of the arts in Houston, and temporary public art projects that energize neighborhoods. To learn more about HAA, visit www.houstonartsalliance.com and follow us on Facebook & Instagram @HoustonArtsAlliance

CRIME STOPPERS OF HOUSTON  FUGITIVE FRIDAY

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For Immediate Release: March 4, 2022

HOUSTON – In an effort to keep our neighborhoods safe, Crime Stoppers of Houston and the Harris County Sheriff’s Office are seeking the public’s help locating the following individuals that have active Felony and/or Misdemeanor Warrants.

Crime Stoppers may pay up to $5,000 for information leading to the location and arrest of the suspects featured. Information may be reported by calling 713-222-TIPS (8477), submitted online at www.crime-stoppers.org or through the Crime Stoppers mobile app. All tipsters remain anonymous. Only tips and calls DIRECTLY TO Crime Stoppers are anonymous and eligible for a cash reward.

The following individuals all have active warrants as of March 4, 2022 at 9:15 am.

COLAND EUGENE BELL

B/M      05-17-69      5’10”/220 Lbs.      Blk/Bro
Warrant #: 1757476
BURGLARY OF HABITATION
Last known location: Houston Texas

MELODY MEGAN BIANCO

W/F      02-04-95      5’03”/117 Lbs.      Bro/Bro
Warrant #: 1757059
DWI W/CHILD UNDER 15 YOA
Last known location: Houston Texas

KRISTIN NICOLE GILMORE

B/F      12-22-81      5’11”/130 Lbs.      Blk/Bro
Warrant #: 1757551
THEFT AGGREGATE =>$150<$300K 1CW
Last known location: Houston Texas

JESUS GONZALEZ

W/M      10-30-02      5’01”/175 Lbs.      Blk/Bro
Warrant #: 1757502, 1757503
ASLT FAM/HOUSE MEM IMPED BRTH/CIRCU, VIOL OF PROTECTIVE ORDER ENH
Last known location: Houston Texas

STEPHANIE ANN GROFMAN

W/F      05-22-69      5’01”/130 Lbs.      Red/Blu
Warrant #: 1757355, 1757356, 1757357
FRAUD USE/POSS CRDIT/DEBIT CAR, FRAUD / USE / POSS ID INFO -10-49 ITEMS, CREDIT / DEBIT CARD ABUSE
Last known location: Humble Texas

JEREMY DAN HAGAN

W/M      03-20-72      6’00”/150 Lbs.      Bln/Blu
Warrant #: 17564090
FRAUD/USE/POSS ID INFO-LESS 5 ITEMS
Last known location: Cypress Texas

DAWN RAE HAYS

W/F      09-14-98      5’08”/140 Lbs.      Bln/Haz
Warrant #: 1757543
THEFT >=2,500 <30,000
Last known location: Houston Texas

MARK DANIEL MCKAY

W/M      04-26-68      5’08”/200 Lbs.      Bro/Bro
Warrant #: 1756943
ASLT FAM/HOUSE MEM IMPED BRTH/CIRCU
Last known location: Houston Texas

KEINA LABRIA MARIE MCKENZIE

B/F      11-08-96      5’02”/120 Lbs.      Bro/Bro
Warrant #: 1757170
FSRA ACC INVOLVING INJURY
Last known location: Houston Texas

RODERICK ARON WARD

B/M      11-07-80      5’09”/250 Lbs.      Blk/Bro
Warrant #: 1757534
BURG W-INTENT-COMMIT OTHER FELONY
Last known location: Cleveland Texas

REPORT A TIP NOW

Father of Alleged Assault Victim Reportedly Assaults Demond Demas at School Hearing

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The father and mother of the alleged assault victim of former Texas A&M wide receiver Demond Demas were arrested on Thursday and charged with misdemeanor assault, according to a report in the Houston Chronicle.

Per the Texas A&M on-campus police department, the father of the victim assaulted Demas and the mother of the victim assaulted a female relative of Demas prior to a school-run student conduct hearing surrounding the former Aggies wide receiver.

Demas turned himself in on Wednesday on a charge of assault family violence that reportedly occurred Saturday. He posted $5,000 bail and was released.

According to a probable cause statement obtained by the Brazos County Sheriff’s Office, Demas’s girlfriend said that Demas pushed her head into the wall. She bit him on the shoulder, and then Demas allegedly threw her off the bed onto the floor, which caused her top front teeth to go through her bottom lip.

Demas “admitted to initiating the verbal altercation” and said that he “took her to the ground” when it got physical, which caused the victim to bite her lip.

Per Demas’s girlfriend, the couple had been in a relationship for a year.

Demas is currently suspended from Texas A&M.

Souce:

LIONSGATE Presenta Fortress: Sniper’s Eye

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Starring

Jesse Metcalfe, Bruce Willis and Chad Michael Murray

 

Directed by

Josh Sternfeld

 

Written by

Alan Horsnail

 

Story by

Emile Hirsch and Randall Emmett

 

Synopsis

Starring Bruce Willis (Pulp Fiction), this action cyber-thriller continues the adventure begun in Fortress. Weeks after the deadly assault on Fortress Camp, Robert (Bruce Willis) makes a daring rescue to save Sasha, the widow of his old nemesis Balzary (Chad Michael Murray, “One Tree Hill”). But back in the camp’s command bunker, it appears Sasha may have devious plans of her own. As a new attack breaks out, Robert is confronted with a familiar face he thought he’d never see again…

Houston Habitat for Humanity breaks ground on 127-acre master-planned community

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Houston Habitat for Humanity together with partners including the City of Houston broke ground today on Robins Landing, a vibrant master-planned community serving low to moderate income Houstonians in their journey to homeownership. Located near Tidwell Road and Mesa Drive in northeast Houston, the 127-acre site will provide critically needed affordable homes, essential services, retail opportunities, and access to greenspace. Hines, the international real estate firm, will serve as a strategic advisor to Houston Habitat for the development, which is a first of its kind.

“Today’s groundbreaking on Robins Landing marks an exciting moment for Houston Habitat and an exciting future for many Houstonians” said Allison Hay, executive director of Houston Habitat for Humanity. “Along with our partners, we are creating a more inclusive, equitable, and open path toward homeownership. Everyone deserves a decent and affordable place to call home with access to everyday resources that make a thriving community.”

Designed for mixed-income and mixed-generations, Robins Landing is set to include more than 450 single-family homes. One hundred homes will be built by Houston Habitat for those earning 80 percent or below the City of Houston’s average median income (AMI) and be sold through the Habitat for Humanity Homeownership program. Three hundred homes will be designed, priced, and sold by partner builders CastleRock Communities and Chesmar Homes for those whose income is 120 percent AMI or below.

“Robins Landing is a significant step in transforming Houston Habitat from a homebuilder to a community builder. The offerings and amenities will help build a vibrant sustainable neighborhood and Hines is thrilled to be involved,” said John Mooz, senior managing director at Hines. “When there’s scale, Hines can bring a level of experience to a master-planned district on adjacencies, complementary uses and resources that make for a unique and special community. We look forward to sharing our knowledge and placemaking experience, not just for Robins Landing, but hopefully in other urban locations as well.”

Houston Habitat is collaborating with community partners to deliver more than just housing to Robins Landing residents and those living nearby. Plans include a 12-acre central park with access to hike-and-bike trails, a community garden, a neighborhood resilience hub, and more. A Town Center will include essential services, including a Legacy Community Health Clinic and Houston Public Library branch.

“Affordable housing is about more than simply providing a roof over someone’s head,” said Mayor Sylvester Turner. “We must work in a collaborative and holistic fashion to improve access to transportation, high-quality grocery stores, and opportunity to address the underlying causes of inequity. Robins Landing is positioned to do just that.”

Using an innovative funding model, Houston Habitat has secured $33 million in funds for site infrastructure, which includes a $4.79 million investment from the City of Houston and $1.5 million from Habitat from Humanity International. Construction loans were secured from Arnold Ventures at no interest, and Houston Housing Finance Corporation at low interest. The remainder comes from traditional development funding including lot and land sales for single-family homes, multi-family units, senior units, and nonresidential businesses. Houston Habitat is seeking an additional $10 million from philanthropy to ensure long term affordability, sustainability, and resiliency.

Infrastructure work has begun to create stormwater detention, drainage, utilities, streets, and access points to the future community. Construction of homes is scheduled to begin in fall 2022 with anticipated community completion by December 2026.

HOUSTON PUBLIC LIBRARY PRESENTS WOMEN’S HISTORY MONTH PROGRAMS IN MARCH

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HOUSTON – The Houston Public Library (HPL) invites the community to hear from and discover the work of women storytellers and leaders throughout March in celebration of Women’s History Month. This year, library programming focuses on the determination and talent of Houston-based women and their achievements.

 

On March 3, Author ReShonda Tate Billingsley gives a talk on her latest novel, Miss Pearly’s Girls, a captivating family drama about four estranged sisters. As the national bestselling author of more than 53 books, ReShonda Tate has the credentials, and the passion, to bring stories to life. Her sophomore novel, Let the Church Say Amen, was made into a film directed by actress Regina King, and produced by TD Jakes and Queen Latifah. She is also an award-winning journalist, who is the Managing Editor of The Defender.  

 

On March 8, “Celebrating International Women’s Day,” highlights two of Houston’s leading business leaders in the performing arts. Guest speakers Irma La Paloma, co-founder of Solero Flamenco and co-Director of the Houston Flamenco Festival, and Lavanya Rajagopalan, Co-Founder of Silambam Houston, share their experiences as women entrepreneurs, artists, and immigrants in Houston. The community is invited to enjoy performances after the discussion.

 

For “Reading Local” on March 22, Gwendolyn Zepeda and Michelle Hillen Klump sit in conversation about their books. Former Houston Poet Laureate Zepeda re-visits her first novel, Houston, We Have a Problema, and debut author Klump introduces a tale about a Houston-reporter turned mixologist in A Dash of Death. 

 

In addition to the author and artist-related events, those interested in genealogy can look to the Family History Research Center at the Clayton Library for a presentation on March 11 titled, “Women’s Work: Tracing Your Ancestor’s Occupations and Volunteer Work.”

 

“We are proud to host these and other exciting and informative events and learning opportunities that celebrate the vast achievements of women,” states Houston Public Library Director Dr. Rhea Brown Lawson. “HPL recognizes the contributions and accomplishments of women throughout the year and especially during Women’s History Month.”

For more information or to register for HPL’s Women’s History Month events and programs, visit houstonlibrary.org/events or call 832-393-1313.

MLB cancels 2022 Opening Day, games will be lost to labor dispute for first time since 1995

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Major League Baseball commissioner Rob Manfred on Tuesday announced he has canceled Opening Day and the first two series of the 2022 season, as the league’s lockout lurched into March with no new collective bargaining agreement – which could result in the first regular season games lost to a labor dispute since 1995.

The announcement comes 90 days after the previous CBA expired at midnight on Dec. 1, when MLB imposed a lockout of players and weeks of infrequent, haphazard and often brief and rancorous negotiations commenced.

With spring training games canceled and a semi-official MLB deadline of Feb. 28 looming to strike an agreement or cancel the March 31 openers, MLB and the MLB Players’ Association met for nine consecutive days in Jupiter, Florida, but the final flurry of negotations – covering 20 hours stretching from Monday morning into Tuesday afternoon – finally broke down.

The sequence began with MLB presenting an offer late Monday night that showed a modest increase in the luxury tax threshold – to $220 million for three years beginning in 2022, maxing out at $230 million in 2026. The players – locked in at $245 million in 2022 – countered with an offer of $238 million for the first year, increasing to $263 million in the final year of the five-year CBA. That prompted an MLB spokesman to tell reporters the players struck a “decidedly different tone” Tuesday.

When MLB countered that with what it called a “best” offer that made small concessions on a pool of money for pre-arbitration players and minimum salary – but no further movement on the luxury tax ceiling – there was little doubt the union would reject it.

And so MLB moved to announce, for now, Opening Day’s cancellation along with two series for each team, covering March 31-April 6 and 7. The declaration comes three months after Manfred, in an “open letter to fans,” called a lockout “the best mechanism to protect the 2022 season.”

Tuesday, he stepped to the podium at Roger Dean Stadium after that approach failed badly.

“Our failure to reach agreement was not for lack of effort by either party,” says Manfred, who said players will not be paid for any cancelled games. “The unfortunate thing is the agreement we offered players had huge benefits to fans and players.”

Manfred said with the MLBPA set to leave Florida for New York, the earliest possible negotiations would occur Thursday. Given a five-day lag time between an agreement reached and camps opening, he said a March 8 start to spring training would not allow enough time for teams and players to ramp up for Opening Day.

The MLBPA said in a statement that Manfred’s “defensive lockout” was “a culmination of a decades-long attempt by owners to break our player fraternity. As in the past, this effort will fail.”

The failure to reach an accord speaks to the mistrust existing between the parties, particularly since at this point, gaps that exist are merely dollars, and not massive philosophical wedges. Players dropped their demand for free agency after five years of service time instead of six and arbitration eligibility after two years instead of three early in bargaining.

But distrust of ownership goes back multiple years, when free agent markets collapsed on players both itinerant and elite – superstars Manny Machado and Bryce Harper did not sign contracts until March 2019 – and players seethed as numerous owners pocketed profits while showing indifference toward improving their rosters.

Tuesday, Manfred shifted the blame for deliberate negotiations to the players.

“Throughout the five-year period there was a lot of rhetoric with dissatisfaction with the deal that they made,” said Manfred, whose side did not tender an offer to the players until 43 days into the lockout. “A lot of rhetoric was negative with respect to the clubs, the commissioner’s office, me. That environment, someone else created. It’s an environment in which it’s tough to build bridges.”

Countered Clark: “The reason we’re not playing is simple: A lockout is the ultimate economic weapon. Let me repeat that – a lockout is the ultimate economic weapon. In a $10 billion industry, the owners made a conscious decision to use this weapon against the greatest asset they have – the players.”

Despite the lingering animus, momentum had built toward an agreement late Monday evening when the sides agreed to expanded, 12-team playoffs as owners agreed to walk back more onerous penalties for exceeding the luxury tax.

Yet while players sought significant changes in myriad corners of the game, the luxury-tax ceiling promised to be the sticking point in negotiations, and it did not disappoint.

Players have gradually seen the luxury tax evolve into a de facto salary cap over the past two decades, and were determined to make up ground lost in previous CBAs. The luxury tax ceiling has grown just 18% since 2011, from $178 million to $210 million, a period during which industry revenues grew 70%, from an estimated $6.29 billion to $10.7 billion in 2019, the last season untouched by pandemic.

Before Friday’s proposals, the two sides’ last exchange on the luxury tax left them a total of $204 million apart, with the union seeking a tax ceiling of $245 million in 2022 up to $273 million in 2026; MLB’s last formal proposal was $214 million in 2022, up to $222 million in 2026.

Both sides closed that gap Tuesday, though a significant chasremains on an issue that seems a curious one to torpedo a season, given the relatively small amount of teams it directly affects.

Just two teams – the Los Angeles Dodgers and San Diego Padres – exceeded the $210 million luxury tax ceiling in 2021, and massive-revenue teams like the Yankees, Red Sox and Dodgers dip and dive under and over the threshold, passing on high-end free agents hoping to reset their penalty rates.

A higher tax ceiling would allow them and upper middle class franchises more room to maneuver for impact players. That’s in part why a hawkish wing of smaller-market owners is determined to keep the ceiling low, although a lower limit certainly won’t ensure they’d bid on the sort of players likely to send a club’s payroll past the tax threshold.

If nothing else, the past decade has proven smaller-market teams such as the Tampa Bay Rays and Kansas City Royals can advance to and win the World Series while passing on the highest-end players.

Meanwhile, the term of the next CBA will cover a period during which more lucrative national TV deals will come online and MLB’s relationship with sports gambling will grow ever cozier. That means future revenues should only continue rising, which further compelled players to fight for both higher minimum salaries for young players as well as loosened governors on spending for veterans.

Both sides managed to agree conceptually on shifting greater salary to younger players by establishing a pool of bonus money for high-performing players with less than three years of service time.

Yet that speck of common ground only produced another yawning gulf by Tuesday afternoon – the players are seeking $85 million per year, with $5 million annual increases, while owners proposed $25 million per year, with no increases.

On minimum salary, the difference was much slimmer: MLB is offering $700,000 in the first year, with $10,000 increases per year. The union is seeking $725,000 with $20,000 raises for the first two years.

The disagreements amount to relative peanuts compared to more drastic shifts the players originally sought, and doesn’t seem so vast as to nuke

regular season ballgames, but here we are. MLB last suffered a work stoppage in 1994-95, when players went on strike in August 1994, fearful that owners would unilaterally impose a salary cap following the expiration of the CBA at season’s end.

The 1994 World Series was canceled and the rift extended into the next year, when owners tried using replacement players to break the union. Not until Judge Sonia Sotomayor – now a Supreme Court justice – issued a preliminary injunction forcing owners back to the bargaining table did the ’95 season commence. That was shortened to 144 games.

And what of the 2022 season? We only know it probably won’t consist of 162 games nor start on March 31, and if and when it does commence, will do so with an immeasurable loss of good will from fans who have seen this before – and many younger ones who have not.

The clock will continue to tick on the season and the players’ resolve, as the days continue to melt away on their finite careers.

“Games were cancelled today,” says Clark. “During the course of a player’s career, you don’t get many opening days.”

Source: usatoday