|
|
La Academia de Hollywood al fin ha dictado su castigo contra Will Smith por su polémico bofetón a Chris Rock durante la última gala de los Óscar: el actor tendrá prohibida la asistencia a cualquier ceremonia que organice esa organización, incluyendo, claro está, los propios Óscar durante 10 años.
La decisión viene motivada por lo que consideran que es “un comportamiento inaceptable y nocivo” y apuntan que “también esperemos que esto inicie un periodo de curación y restauración para todos los implicados y los que se han visto impactados por ello“.
El protagonista de ‘El método Williams’ ha aceptado la decisión de la Academia, lanzando un breve comunicado que dice lo siguiente: “Acepto y respeto la decisión de la Academia‘. Recordemos que Smith ya había renunciado como miembro de la Academia hace varios días, y ya entonces destacó que aceptaría cualquier medida disciplinaria adicional que se tomase contra él.
De esta forma se zanja cualquier duda sobre la posible retirada del Óscar que ganó apenas minutos después de este desafortunado incidente, pero queda la duda de si servirá para que la imagen de Smith se recupere tras lo sucedido. Eso es lo que está realmente dañado y habrá que ver cuáles son los siguientes pasos que da la estrella de ‘Hancock’ para intentar remediarlo.
|
“The Biden Administration’s open-border policies have paved the way for dangerous cartels and deadly drugs to pour into the United States, and this crisis will only be made worse by ending Title 42 expulsions,” said Governor Abbott. “With the end of Title 42 expulsions looming next month, Texas will immediately begin taking unprecedented action to do what no state has done in American history to secure our border. The new strategies announced today and next week will further strengthen our already robust response to the Biden border disaster, and we will use any and all lawful powers to curtail the flow of drugs, human traffickers, illegal immigrants, weapons, and other contraband into Texas.”
During his remarks, Governor Abbott noted that the U.S. Department of Homeland Security (DHS) is projecting as many as 18,000 migrant apprehensions per day upon the end of Title 42 expulsions. This prediction would indicate over half a million illegal border crossings per month.
Because DHS has no plan for addressing the anticipated surge of illegal immigrants when Title 42 expulsions end, and because DHS is expected to release large groups of migrants into Texas communities, Governor Abbott has directed TDEM to charter buses and flights to transport migrants who have been processed and released from federal custody to Washington, D.C. To board a bus or flight, a migrant must volunteer to be transported and show documentation from DHS. Mayors and county judges can notify TDEM of any DHS-facilitated drop-off of migrants in their communities so that the agency can provide appropriate transportation.
Governor Abbott has also directed DPS to conduct enhanced safety inspections of vehicles as they cross international ports of entry into Texas. This directive, which is effective immediately, anticipates a significant rise in cartel-facilitated smuggling via unsafe vehicles upon the end of Title 42 expulsions.
Governor Abbott announced additional strategies being deployed immediately to secure the border. DPS and the Texas Military Department (TMD) are preparing additional boat blockades, deploying razor-wire at low-water crossings and high-traffic areas, and installing container blockades to stem the flow of illegal crossings. Additionally, TMD will begin the first phase of mass-migration rehearsals this week, and all DPS troopers and specially trained Texas National Guard soldiers will be given riot gear in case of violence among caravans and migrants.
The State of Texas will continue to evaluate the threat posed by the end of Title 42 expulsions and announce additional action in the coming weeks to respond to the expected surge in illegal immigration.
|
|
THE PARADE ROLLS AT 2PM
Activities, events and amentities are located along the parade route starting at Waugh & Allen Parkway and going into downtown Houston along Smith Street from Dallas to Walker.
The parade is FREE and open to the public. Find a spot along the route to watch the parade, or purchase Reserved Grandstand Seats or a ticket to the VIPit Experience
Free and paid parking is located along the parade route. For downtown Houston parking locations CLICK HERE
|
Los Angeles, April 5, 2022.– Hispanic actress Carmen Maura will receive the PLATINO Honorary Award at the 9th Annual PLATINO Awards for Ibero-American gala for her decades-long artistic career and award-winning performances in countless works produced by Mexico, Argentina, Spain, Chile, Venezuela and other Latin American countries.
The award ––which will be presented at a ceremony honoring the world’s best audiovisual works in Spanish and Portuguese in Madrid on May 1–– will also recognize Maura’s years-long calls for increased representation and visibility of Ibero-American films and artists.
Internationally renown and recognized, Maura has worked with some of the world’s top filmmakers, including Pedro Almodóvar, Francis Ford Coppola, Álex de la Iglesia, Mario Camus, Carlos Saura, Fernando Trueba, José Luis Borau, Ricardo Larraín, André Techiné, Pilar Miró and Fernando Colomo.
Among Maura’s many accolades are one Golden Palm at the Cannes Film Festival, four Goya Awards, one César Award, two Felix Awards and one Honorary Award from the European Film Academy, as well as one Silver Shell and one Donostia Award at the San Sebastián Film Festival.
By accepting the PLATINO Honorary Award, Maura will add her name to Diego Luna (2020), Raphael (2019), Adriana Barraza (2018), Edward James Olmos (2017), Ricardo Darín (2016), Antonio Banderas (2015) y Sonia Braga (2014) ––the recipients in previous years.
AN IBERO-AMERICAN MOVIE ICON
Carmen Maura was born in Madrid (Spain) in 1945. She obtained a BA in French Studies and studied Philosophy and Literature at the Paris Arts Academy. Upon her graduation, she began her acting career at the Teatro Español Universitario, but it was not until the late 1970s that she became a full-time actress and was cast for TV and film roles: She appeared in Novela, Las doce caras de Eva, Estudio 1 or Los libros, and various flims, such as Juan Tamariz’s El espíritu or Jaime de Armiñán’s Un casto varón español. In her early acting years, she worked with renown Spanish directors at that time, including Antonio Mercero (Don Juan) Manuel Mur Oti (La encadenada), Pilar Miró (La petición), Fernando Colomo (Tigres de papel) or Carlos Saura (Los ojos vendados).
But it was not until Folle… folle… ¡fólleme Tim! and Pepi, Luci, Bom y otras chicas del montón that Carmen Maura’s name became permanently linked to filmmaker Pedro Almodóvar, with whom she worked on a regular basis back then. Maura often starred in his movies and became known as Almodóvar’s first girl (“chica Almodóvar” in Spanish). At the height of the Movida Madrileña, Maura worked with Colomo in ¿Qué hace una chica como tú en un sitio como éste? or La mano negra, and with Almodóvar in Entre tinieblas, ¿Qué he hecho yo para merecer esto!, Matador or La ley del deseo – –some of the top movies back then. She also starred in Carlos Saura’s Los ojos vendados, in Miguel Picazo’s Extramuros, in Fernando Trueba’s Sal gorda and Sé infiel y no mires con quién or in José Luis Borau’s Tata Mía. Maura also starred in Mujeres al borde de un ataque de nervios: Pedro Almodóvar received his first Oscar nomination for this film, whereas Maura obtained her first Goya Award and Felix Award at the European Film Festival.
Maura’s breakthrough came in the 1990s, and she became a household name in Spain, Europe and Ibero-America for her roles in Carlos Saura’s film ¡Ay, Carmela! (a blockbuster movie for which she received Goya and Felix awards), Gonzalo Suárez’s La reina anónima, Mario Camus’s Sombras en una batalla or Enrique Urbizu’s Cómo ser infeliz y disfrutarlo. She then was cast for European movies such as La alegría está en el campo (she received a César Award nomination for Best Supporting Actress), or André Téchine’s Alice y Martin, starring opposite Juliette Binoche. Around this time, she also began her career in Ibero-American films and starred in Mexico’s El cometa, opposite Diego Luna (the 2020 PLATINO Honorary Award recipient), or Chile’s El entusiasmo.
CARMEN MAURA’S INTERNATIONAL RECOGNITION
In 2000, Maura starred in Álex de la Iglesia’s La comunidad, opposite Emilio Gutiérrez Caba and Terele Pávez. Maura went on to win her third Goya Award and the Silver Shell at the San Sebastián Film Festival. With the turn of the millennium, she was cast in international productions such as Italy’s Ángeles de negro; France’s Silencio pactado, starring opposite Gérard Depardieu; Argentina’s El sueño de Valentín; Mexico’s Al otro lado; Israel’s Zona libre starring opposite Natalie Portman; or American film Tetro, by Francis Ford Coppola. In 2006, nearly two decades after they had last worked together, Maura was cast in Pedro Almodóvar’s Volver starring opposite Penélope Cruz, Chus Lampreave, Lola Dueñas and Blanca Portillo. The reunion between the actress and the director resulted in one Academy Award for the Castilla-La Mancha-born filmmaker, a fourth Goya Award for Maura and the Golden Palm at the Cannes Film Festival for the female cast ––including Maura.
In the past decade, Carmen Maura has starred in multiple films, including France’s Las chicas de la sexta planta, (she received the César Award for Best Supporting Actress), Álex de la Iglesia’s Las brujas de Zugarramurdi, and Colombia’s Sofía y el terco. She has also starred in several TV series, including Agustí Villaronga’s Cartas a Eva or French production Y’a pas d’âge. Maura’s decades-long career also includes performances in Brazil’s Veneza, Australia’s Chasing Wonders, American TV series Your Honour (starring Bryan Cranston), Mexico’s Alguien tiene que morir, directed by Manolo Caro, or La Golondrina, a play that had a successful run in Spain and France. But adding to her already successful career, the actress has a lot more in store: In 2022 she’ll be launching Rainbow, Paco León’s latest film; and Limbo… hasta que lo decida, an Argentine TV series by Mariano Cohn and Gastón Duprat. Maura’s extensive artistic career has been recognized multiple times with prestigious accolades that include the National Cinematography Award, the Gold Medal of Merit in the Fine Arts (awarded by the Spanish Film Academy), the Donostia Award at the San Sebastián Film Festival, the Honorary Award from the European Film Academy (honoring her lifetime achievements) and the upcoming PLATINO Honorary Award.
The 9th annual PLATINO Awards ceremony will be hosted by Lali Espósito y Miguel Ángel Muñoz and will be broadcast by TV networks across Ibero-America. The nominees for Best
The nominees for Best Ibero-American Fiction Film are Mexico’s Noche de fuego, by Tatiana Huezo; Spain’s Madres paralelas, by Pedro Almodóvar, El buen patrón, by Fernando León de Aranoa, and Maixabel, by Icíar Bollaín.
The nominees for Best Ibero-American Fiction Miniseries/TV Series or Documentary Feature Film are Mexico’s Luis Miguel: La serie, by Daniel Krauze, and Narcos: México, by Carlo Bernard, Chris Brancato and Doug Miro; Argentina’s El reino, by Marcelo Piñeyro and Claudia Piñeiro; and Chile’s Isabel, by Rodrigo Bazaes.
Mariem Pérez Riera’s documentary Rita Moreno: Just a Girl Who Decided to Go for It aspires to one statuette.
The PLATINO Awards for Ibero-American Cinema are presented by EGEDA (Management Entity of Audiovisual Producers’ Rights) and FIPCA (Ibero-American Federation of Film and Audiovisual Producers) in close collaboration with the Community of Madrid and the Madrid City Council. The latter two institutions are so devoted to attracting more filming projects to Madrid ––an ideal location for all types of film and TV productions–– that the region has turned into an intense activity hub generating enormous benefits to the audiovisual sector. The PLATINO Awards also has support from the World Tourism Organization and the Ibero-American Academies and Institutes of Film, unite the great talent of 23 Ibero-American countries and honor the works and best creators each year by presenting awards in 22 categories and the PLATINO Honorary Award.