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Fechas Claves y Consejos Útiles para la Temporada de Impuestos 2025

Con la temporada de impuestos de 2025 acercándose, aquí tienes una guía con fechas clave que establecio el IRS, consejos útiles y advertencias para protegerte contra estafas relacionadas con los impuestos.

¿Cuándo Comienza la Temporada de Impuestos 2025?

La temporada de impuestos comienza oficialmente el lunes 27 de enero de 2025. Este es el primer día en que el IRS comenzará a aceptar declaraciones para el año fiscal 2024. Sin embargo, no tienes que esperar hasta entonces para prepararte. Presentar tus impuestos temprano asegura que tu declaración esté en la fila para un procesamiento más rápido, lo que podría significar un reembolso más pronto.

¿Cuál es la Fecha Límite para Declarar Impuestos?

El plazo tradicional para presentar impuestos es el martes 15 de abril de 2025. Si debes impuestos, es fundamental cumplir con esta fecha para evitar sanciones.

¿Qué Pasa Si Necesitas Más Tiempo?

Si no puedes presentar tus impuestos antes del 15 de abril, puedes solicitar una extensión gratuita con el IRS. Esto te permitirá presentar tu declaración hasta el 15 de octubre de 2025, pero recuerda que debes pagar cualquier monto que debas antes del 15 de abril para evitar intereses y penalizaciones.

Solicitar una extensión es sencillo y puedes hacerlo de forma electrónica o utilizando el Formulario 4868 en papel. Asegúrate de incluir tu información básica como tu nombre, dirección y número de Seguro Social.

¿Cómo Evitar Sanciones por No Declarar a Tiempo?

Si no cumples con el plazo del 15 de abril y no solicitas una extensión, podrías enfrentarte a sanciones severas:

  • Falta de presentación: El IRS cobra un 5% del saldo no pagado por cada mes de retraso, hasta un máximo del 25%.
  • Falta de pago: Si presentas tu declaración pero no pagas lo que debes, se aplica una penalización menor de 0.5% al mes.

¿Cuánto Tiempo Tardan en Emitir un Reembolso?

Para la mayoría de los contribuyentes, los reembolsos se emiten dentro de 21 días calendario después de presentar la declaración electrónicamente. Las declaraciones en papel pueden tardar más, generalmente cuatro semanas o más.

La herramienta en línea ¿Dónde está mi reembolso? en el sitio web del IRS es la mejor manera de rastrear el estado de tu reembolso. La herramienta se actualiza cada noche y ofrece información confiable sobre tu declaración.

Cómo Evitar Estafas Durante la Temporada de Impuestos

La temporada de impuestos es un momento clave para los estafadores que buscan engañar a los contribuyentes. Aquí tienes algunos consejos importantes para protegerte:

  1. El IRS nunca te llamará por teléfono ni te pedirá información personal por correo electrónico o mensaje de texto. Si recibes una llamada amenazante o sospechosa, cuelga inmediatamente.
  2. No confíes en cartas falsas. Si recibes una notificación por correo, verifica la autenticidad ingresando al sitio oficial del IRS o llamando directamente a su línea de atención al cliente.
  3. El IRS no exige pagos inmediatos con tarjetas de regalo o transferencias bancarias. Este es un método común de estafa.
  4. Usa un software confiable para presentar tus impuestos. Si decides trabajar con un preparador de impuestos, asegúrate de que esté certificado por el IRS.
  5. Ten cuidado con correos electrónicos o mensajes que parezcan ser del IRS. No hagas clic en enlaces sospechosos; podrían ser intentos de phishing para robar tu información personal.
  6. Monitorea tus registros fiscales. Crea una cuenta en el sitio oficial del IRS para verificar el estado de tus declaraciones y pagos.

Consideraciones Especiales para Desastres Naturales

Los contribuyentes afectados por desastres naturales reciben automáticamente una extensión para presentar sus impuestos. Esto significa que no necesitas presentar documentación adicional para obtener más tiempo.

Prepárate para una Temporada de Impuestos Segura y Sin Estrés

Declarar impuestos no tiene que ser un proceso complicado ni un riesgo para tu seguridad. Mantén en mente estas fechas clave, protege tu información personal, y sigue los pasos necesarios para presentar tus impuestos correctamente.

Para más detalles o ayuda, visita el sitio oficial del IRS en irs.gov o consulta con un profesional de impuestos calificado.

https://queondamagazine.com/Siguenos para mas consejos para preparar tus impuestos en QueOndaMagazine.com

Stimulus Payments of Up to $1,400 Rolling Out to Taxpayers by End of the Month

Eligible taxpayers could see a boost in their bank accounts soon, with stimulus checks worth up to $1,400 arriving by late January.

This round of payments stems from the Internal Revenue Service’s December announcement that it would distribute approximately $2.4 billion to taxpayers who missed out on claiming the Recovery Rebate Credit on their 2021 tax returns.

Why the Stimulus Payments Were Announced

The IRS initiated this distribution after reviewing data that revealed many taxpayers had failed to claim the Recovery Rebate Credit. This credit applies to individuals who didn’t receive one or more of the Economic Impact Payments, often referred to as stimulus checks, during the pandemic.

Who Qualifies for the Payment?

Taxpayers who left the Recovery Rebate Credit section blank or recorded a $0 on their 2021 tax return are eligible for this payment. If you’re unsure whether you claimed the credit, check your 2021 tax return for clarity.

How to Receive the Payment

The good news? No action is required. The IRS started sending payments automatically in December and will continue through the end of January. Eligible individuals will receive a notification letter, and the payments will be either directly deposited into bank accounts or sent as paper checks.

What If You Didn’t File a 2021 Tax Return?

Even those who didn’t file a 2021 tax return may still qualify. However, they must submit their return and claim the Recovery Rebate Credit by April 15, 2025, to be eligible for the payment.

This initiative is part of the government’s ongoing efforts to ensure that no eligible taxpayer is left behind in receiving pandemic-related financial assistance.

Keep up with more IRS news and income tax helpful information with us on QueOndaMagazine.com

Weekend Forecast: Expect Fog, Drizzle, and Thunderstorms in Houston

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HOUSTON, Texas (Que Onda Magazine)– As the weekend approaches, Houston residents can anticipate significant changes in the weather.

After several days of freezing morning temperatures, the city will see its last light freeze on Friday morning, followed by a milder and wetter pattern for the next week.

Friday Morning: A Final Freeze

According to meteorologists from our news partner ABC13, Friday morning will start off cold, with temperatures dipping below freezing in some areas. However, this will likely mark the end of freezing conditions for at least the next 7–10 days, providing some relief for those weary of the cold snap.

Saturday: Fog, Clouds, and Mist

The arrival of humid Gulf air over the cold ground will create widespread fog, low clouds, and drizzle starting early Saturday. Temperatures will gradually warm from the upper 30s in the morning to the 50s by the afternoon as a warm front moves in.

Although the rain chances remain low on Saturday, don’t be surprised by persistent mist and drizzle during the afternoon and evening. It may not be heavy rainfall, but the damp conditions will be noticeable, so keep an umbrella handy if you’re out and about.

Sunday: Showers and Thunderstorms

Sunday will see even milder temperatures, with morning lows in the 50s and highs reaching the 60s. However, the weather will take a stormy turn, with an 80% chance of showers and thunderstorms. This marks the start of a wet weather period expected to continue throughout most of the upcoming week.

What to Expect Next Week

Sunday’s rain is only the beginning, as Houston braces for an extended period of wet weather. Stay prepared for cloudy skies and frequent rain showers over the next several days.

Key Takeaways for the Weekend:

  • Friday morning: A light freeze, then warming temperatures.
  • Saturday: Widespread fog, drizzle, and highs in the 50s.
  • Sunday: Thunderstorms likely, with highs in the 60s.

Plan your weekend activities accordingly, and keep an eye on the forecast as the weather evolves with us on QueOndaMagazine.com

Police searching for Waller County inmate who escaped from hospital in Bellville, officials say

AUSTIN COUNTY, Texas (KTRK) — A manhunt is underway after a Waller County inmate escaped custody at a hospital in Austin County on Thursday evening, according to police.

The Waller County Sheriff’s Office said the inmate, Salvador Saucedo, was undergoing testing at the Midcoast Medical Center Bellville, located on North Cummings Road near West Highway 159, when he got away at about 7 p.m.

The Bellville Police Department said Saucedo was arrested earlier on Thursday.

Eyewitness News reached out to the sheriff’s office for details on his charges, but has yet to hear back.

Authorities described him as a Hispanic man who has face tattoos, missing front teeth, and brown hair with red highlights.

Investigators said he was last seen wearing an orange shirt and Lujan jeans.

Authorities posted about the escape on social media and shared a picture of Saucedo from previous body camera footage.

If Saucedo is seen or located, contact the Waller County Sheriff’s Office immediately at (979) 826-8282 or, in the case of an emergency, dial 911.

Law enforcement warns the public not to approach him because he is not handcuffed and considered dangerous.

2025 Oscar nominations revealed

The highly anticipated 2025 Oscar nominations have finally been revealed, following a brief delay due to the devastating Los Angeles wildfires. In a livestream telecast on Jan. 23, Saturday Night Live star Bowen Yang and Bottoms actress Rachel Sennott announced the contenders for the 97th Academy Awards. The ceremony, set for March 2, will be hosted by comedian Conan O’Brien and promises to celebrate some of the year’s most remarkable achievements in film.

A Diverse Slate of Nominees

This year’s Best Picture category features a diverse lineup of ten films, including “The Brutalist”, “The Substance,” “Wicked,” “Nickel Boys,” and “A Complete Unknown.” Notably, “The Substance,” a rare horror film nominee, has garnered five nominations, while the musical Wicked has also earned nods in multiple categories. Other standout titles in the Best Picture race include “Dune: Part Two” and “Emilia Pérez,” showcasing a wide range of genres from science fiction to biographical drama.

First-Time Nominees and Returning Favorites

The acting categories highlight a mix of seasoned stars and first-time nominees. Timothée Chalamet received a Best Actor nomination for his performance in “A Complete Unknown,” marking his second career nomination after 2018’s “Call Me By Your Name.” In the Best Actress category, Demi Moore’s role in “The Substance” earned her a nomination, alongside Cynthia Erivo (“Wicked”) and Karla Sofía Gascón (“Emilia Pérez”). Ariana Grande also made waves with her first Oscar nomination for her supporting role in “Wicked,” while Edward Norton and Jeremy Strong were recognized in the Best Supporting Actor category for their performances in “A Complete Unknown” and “The Apprentice,” respectively.

Milestones in Filmmaking

This year’s nominations underscore groundbreaking achievements in filmmaking. Coralie Fargeat’s direction of “The Substance” earned her a nod in the Best Director category, making her one of the few female directors to be recognized. In the Best Original Song category, standout entries include “Mi Camino” from Emilia Pérez, performed by Selena Gomez and Edgar Ramírez, and Elton John’s “Never Too Late” from his biographical documentary.

A Challenging Year for Hollywood

The 2025 Oscar nominations arrive during a challenging period for Hollywood. The Los Angeles wildfires, which delayed the announcement, have left a significant impact on the film community. The Academy issued a heartfelt statement expressing condolences to those affected and emphasizing their support through partnerships with organizations like the Motion Picture Television Fund. This somber backdrop adds a layer of resilience and unity to this year’s celebrations.

What to Expect on Oscar Night

With Conan O’Brien at the helm as host, audiences can anticipate a blend of humor and heartfelt moments during the ceremony. The 97th Academy Awards aims to honor not only the industry’s finest talents but also the enduring spirit of Hollywood in the face of adversity. As we await the March 2 ceremony, one thing is clear: being nominated for an Oscar remains one of the highest accolades in cinema.

Where to Watch?

The 97th Oscars will be broadcasted live on your local ABC channel and livestreamed on Hulu on March 2 starting at 5:30 p.m Central time with the red carpet portion of the show. At 6 p.m. the show itself is set to begin. While Hulu is the main streaming platform, subscribers to YouTube TV, AT&T TV, or FuboTV will also be able to watch live on those platforms.

Keep up with the 97th Oscars with us on QueOndaMagazine.Com

Full list of 2025 Oscar nominations

Actor in a Leading Role

Nominees:

  • Adrien Brody – “The Brutalist”
  • Timothée Chalamet – “A Complete Unknown”
  • Colman Domingo – “Sing Sing”
  • Ralph Fiennes – “Conclave”
  • Sebastian Stan – “The Apprentice”

Actor in a Supporting Role

Nominees

  • Yura Borisov – “Anora”
  • Kieran Culkin – “A Real Pain”
  • Edward Norton – “A Complete Unknown”
  • Guy Pearce – “The Brutalist”
  • Jeremy Strong – “The Apprentice”

Actress in a Leading Role

Nominees

  • Cynthia Erivo – “Wicked”
  • Karla Sofía Gascón – “Emilia Pérez”
  • Mikey Madison – “Anora”
  • Demi Moore – “The Substance”
  • Fernanda Torres – “I’m Still Here”

Actress in a Supporting Role

Nominees

  • Monica Barbaro – “A Complete Unknown”
  • Ariana Grande – “Wicked”
  • Felicity Jones – “The Brutalist”
  • Isabella Rossellini – “Conclave”
  • Zoe Saldaña – “Emilia Pérez”

Animated Feature Film

Nominees

  • “Flow” – Nominees to be determined
  • “Inside Out 2” – Kelsey Mann and Mark Nielsen
  • “Memoir of a Snail” – Adam Elliot and Liz Kearney
  • “Wallace & Gromit: Vengeance Most Fowl” – Nominees to be determined
  • “The Wild Robot” – Chris Sanders and Jeff Hermann

Animated Short Film

Nominees

  • “Beautiful Men” – Nicolas Keppens and Brecht Van Elslande
  • “In the Shadow of the Cypress” – Shirin Sohani and Hossein Molayemi
  • “Magic Candies” – Daisuke Nishio and Takashi Washio
  • “Wander to Wonder” – Nina Gantz and Stienette Bosklopper
  • “Yuck!” – Loïc Espuche and Juliette Marquet

Cinematography

Nominees

  • “The Brutalist” – Lol Crawley
  • “Dune: Part Two” – Greig Fraser
  • “Emilia Pérez” – Paul Guilhaume
  • “Maria” – Ed Lachman
  • “Nosferatu” – Jarin Blaschke

Costume Design

Nominees

  • “A Complete Unknown” – Arianne Phillips
  • “Conclave” – Lisy Christl
  • “Gladiator II” – Janty Yates and Dave Crossman
  • “Nosferatu” – Linda Muir
  • “Wicked” – Paul Tazewell

Directing

Nominees

  • “Anora” – Sean Baker
  • “The Brutalist” – Brady Corbet
  • “A Complete Unknown” – James Mangold
  • “Emilia Pérez” – Jacques Audiard
  • “The Substance” – Coralie Fargeat

Documentary Feature Film

Nominees

  • “Black Box Diaries” – Shiori Ito, Eric Nyari and Hanna Aqvilin
  • “No Other Land” – Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham
  • “Porcelain War” Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen
  • Soundtrack to a Coup d’Etat – Johan Grimonprez, Daan Milius and Rémi Grellety
  • “Sugarcane” – Nominees to be determined

Documentary Short Film

Nominees

  • “Death by Numbers” – Kim A. Snyder and Janique L. Robillard
  • “I Am Ready, Warden” – Smriti Mundhra and Maya Gnyp
  • “Incident”- Bill Morrison and Jamie Kalven
  • “Instruments of a Beating Heart” – Ema Ryan Yamazaki and Eric Nyari
  • “The Only Girl in the Orchestra” – Molly O’Brien and Lisa Remington

Film Editing

Nominees

  • “Anora” – Sean Baker
  • “The Brutalist” – David Jancso
  • “Conclave” – Nick Emerson
  • “Emilia Pérez” – Juliette Welfling
  • “Wicked” – Myron Kerstein

International Feature Film

Nominees

  • Brazil – “I’m Still Here”
  • Denmark – “The Girl with the Needle”
  • France – “Emilia Pérez”
  • Germany – “The Seed of the Sacred Fig”
  • Latvia – “Flow”

Makeup and Hairstyling

Nominees

  • “A Different Man” – Mike Marino, David Presto and Crystal Jurado
  • “Emilia Pérez” – Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini
  • “Nosferatu”- David White, Traci Loader and Suzanne Stokes-Munton
  • “The Substance”- Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli
  • “Wicked”- Frances Hannon, Laura Blount and Sarah Nuth

Music (Original Score)

Nominees

  • “The Brutalist” – Daniel Blumberg
  • “Conclave” – Volker Bertelmann
  • “Emilia Pérez” – Clément Ducol and Camille
  • “Wicked” – John Powell and Stephen Schwartz
  • “The Wild Robot” – Kris Bowers

Music (Original Score)

Nominees

  • “El Mal” – from “Emilia Pérez”; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard
  • “The Journey” – from “The Six Triple Eight”; Music and Lyric by Diane Warren
  • “Like A Bird” from “Sing Sing;” Music and Lyric by Abraham Alexander and Adrian Quesada
  • “Mi Camino” – from “Emilia Pérez”; Music and Lyric by Camille and Clément Ducol
  • “Never Too Late” from “Elton John: Never Too Late”; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

Best Picture

Nominees

  • “Anora” – Alex Coco, Samantha Quan and Sean Baker, Producers
  • “The Brutalist” – Nominees to be determined
  • “A Complete Unknown” – Fred Berger, James Mangold and Alex Heineman, Producers
  • “Conclave” – Tessa Ross, Juliette Howell and Michael A. Jackman, Producers
  • “Dune: Part Two” – Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers
  • “Emilia Pérez” – Nominees to be determined
  • “I’m Still Here” – Nominees to be determined
  • “Nickel Boys” – Nominees to be determined
  • “The Substance” – Nominees to be determined
  • “Wicked” – Marc Platt, Producer

Production Design

Nominees

  • “The Brutalist “- Production Design: Judy Becker; Set Decoration: Patricia Cuccia
  • “Conclave” – Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter
  • “Dune: Part Two” – Production Design: Patrice Vermette; Set Decoration: Shane Vieau
  • “Nosferatu” – Production Design: Craig Lathrop; Set Decoration: Beatrice Brentnerová
  • “Wicked” – Production Design: Nathan Crowley; Set Decoration: Lee Sandales

Live Action Short Film

Nominees

  • “A Lien” – Sam Cutler-Kreutz and David Cutler-Kreutz
  • “Anuja” – Adam J. Graves and Suchitra Mattai
  • “I’m Not a Robot”- Victoria Warmerdam and Trent
  • “The Last Ranger” – Cindy Lee and Darwin Shaw
  • “The Man Who Could Not Remain Silent” – Nebojša Slijepčević and Danijel Pek

Sound

Nominees

  • “A Complete Unknown” – Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco
  • “Dune: Part Two” – Gareth John, Richard King, Ron Bartlett and Doug Hemphill
  • “Emilia Pérez” – Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta
  • “Wicked” – Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis
  • “The Wild Robot” – Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

Visual Effects

Nominees

  • “Alien: Romulus” – Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan
  • “Better Man” – Luke Millar, David Clayton, Keith Herft and Peter Stubbs
  • “Dune: Part Two” – Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer
  • “Kingdom of the Planet of the Apes” – Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke
  • “Wicked” – Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

Writing (Adapted Screenplay)

Nominees

  • “A Complete Unknown” – Screenplay by James Mangold and Jay Cocks
  • “Conclave” – Screenplay by Peter Straughan
  • “Emilia Pérez” – Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, Léa Mysius and Nicolas Livecchi
  • “Nickel Boys” – Screenplay by RaMell Ross & Joslyn Barnes
  • “Sing Sing” – Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Writing (Original Screenplay)

Nominees

  • “Anora” – Written by Sean Baker
  • “The Brutalist” – Written by Brady Corbet, Mona Fastvold
  • “A Real Pain” – Written by Jesse Eisenberg
  • “September 5” – Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David
  • “The Substance” – Written by Coralie Fargeat

LG Signature OLED T: Redefining Home Entertainment with Wireless Transparent OLED… and it’s Expensive

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LG has reimagined television for the modern home with the LG SIGNATURE OLED T (model OLED77T4P), the world’s first 77-inch wireless transparent OLED TV. This industry-first display is not only a technical marvel but also a design centerpiece, seamlessly merging technology and interior aesthetics—with a retail price of $59,999 USD.

A True Transparent Experience

The OLED T’s standout feature is its ability to switch between transparent and standard viewing modes at the touch of a button. In transparent mode, the TV virtually disappears, blending into any space while allowing art, décor, or outdoor views to remain visible behind it. When it’s time for traditional content, a retractable contrast screen creates vivid, lifelike images with the deep blacks and color vibrancy OLED technology is known for.

Zero Cables, Unlimited Placement

Thanks to LG’s proprietary Zero Connect Box, video and audio are transmitted wirelessly to the display—eliminating cable clutter entirely. This solution allows placement in the center of a room, in front of windows, or anywhere modern design demands, providing unmatched flexibility. HDMI inputs, audio out, and smart home integrations connect via the Zero Connect hub, which requires only a power connection to the TV itself.

Ultra-Thin, Ultra-Modern

The OLED T boasts an ultra-thin profile, helping it blend into any décor. Its Always-On-Display and T-Objet modes let users turn the TV into an artistic or informational digital canvas when not watching traditional programming.

Premium Features

  • 77-inch transparent OLED 4K panel (3840 x 2160), model OLED77T4P
  • Switchable opaque/transparent modes for flexible viewing
  • Alpha 11 AI Processor for upscaling and virtual 11.1.2 channel audio
  • Dolby Vision, Dolby Atmos, Filmmaker Mode, NVIDIA G-Sync, and AMD FreeSync Premium support
  • webOS streaming platform with voice, smart home, and app controls
  • Built-in 4.2 channel speaker system

Launch Date

The LG SIGNATURE OLED T officially launched in July 2025, with global retail rollout beginning mid-to-late July.

Designed for the Future

LG’s transparent OLED technology opens new possibilities for how televisions are used in interior design—transforming them from static black rectangles into fluid, integrated elements of living spaces. The $59,999 USD price tag ensures exclusivity, but the impact on luxury home design and future display innovation is profound.

Exploring identity, representation, and art through comics: A conversation with Julio Anta, Jacoby Salcedo

Comics have long been a space for creative storytelling and vibrant art. For creators Julio Anta and Jacoby Salcedo, it’s also a powerful way to represent Latinx culture, often overlooked in mainstream media. 

During a recent talk at the University of Houston-Downtown, they discussed their journey into comics, collaboration, and the importance of authentic storytelling. 

Growing up with Comics 

Both Anta and Salcedo found their love for comics early in life, but their paths to creating them were unique. “I grew up with comics, anime, and cartoons,” Anta recalled. 

“But growing up, I didn’t see much Latinx representation in the medium. So, I started writing stories from a Latino perspective.” For Salcedo, the drive came from an innate passion for drawing. “I’ve always loved drawing,” he said. “My mom pushed me into art college, and that’s when I began creating my own comics.”

Credit: Edward Saenz/QOM

The Power of the Comics Medium 

When asked what makes comics a powerful form of story telling, Anta highlighted the unique way they can engage readers. “With comics, you can read at your own pace,” he explained. “You can slow down and really di gest each individual scene.” Salcedo pointed out the close-knit community of creators. “It’s a small community of great people, which makes working in comics even more special,” he said. 

Collaborating as Creators 

The duo’s collaboration has been an organic process built on mutual respect and shared interests. They began working on mini-com ics together, using smaller projects to hone their teamwork and craft. “We share ideas and stories back and forth, brainstorming on what we can create together,” Anta said. Salcedo agreed, adding, “It’s very natural for us to collaborate. We have the same interests and ideas.” 

Research & Reality in Their Work 

Research plays a key role in their creative process, especially for Anta. “All my writing comes from personal interests and emotions,” he said. “Whether it’s fantasy or super hero stories, they’re all grounded in real events.” For Salcedo, the visual aspect requires accuracy.

“Real places make drawing easier. I use Google Maps and his historical photos to ground things like character designs and clothing.” When asked about the challenges of designing characters, Salcedo admitted that creating a new Blue Beetle suit was tough. “It’s alien tech, so it was hard to balance that with a sense of realism,” he said. 

Representing Latinx Identity 

For Anta, writing about Lat inx identity is crucial. “We make up 20% of the population but are only about 6% of the creators in media,” he said. “I feel a responsibility to tell these stories authentically.” 

One way Anta incorporates Latinx culture into his work is through language. “My focus is always on what’s authentic—what language the characters would realistically be speaking.”

Credit: Edward Saenz/QOM

Comics as Tools for Social Change 

Both creators see comics as a platform for social change. Anta recalled how, after his first comic, readers reached out to say it was the first time they’d seen themselves represented in the media. 

“Art should reflect the real world,” he said. “It’s a tool to shatter pre-existing notions of marginalized groups.” Salcedo, too, spoke about the power of telling stories that matter, particularly their work focused on the U.S.-Mexico border. “It was the first time I’d seen a story near the border, and it was important to respect and share that story,” he said. Anta emphasized the importance of confronting the realities of the border. 

“The border is a highly politicized place, but migration has been happening forever,” he said. “If we want this global economy to continue, we need migrants. It’s important to inspire and educate people about this.” For Anta, the overarching message of his work is about understanding and sharing stories. 

“What’s happening at the border isn’t new; it’s just evolved,” he said. Despite the challenges and pushback, including frequent rejections from publishers, Anta remains committed to his vision. “These books are for social change, so pushback is expected,” he said. 

Moving Forward: Authenticity and Representation 

Anta and Salcedo’s dedication to telling real, grounded stories from a Latinx perspective is clear in everything they create. Whether designing new characters, working on bilingual books, or confronting social issues like migration, their work reflects their belief in the power of comics to teach, inspire, and spark change. In a world where Latinx representation is still limited, creators like Anta and Salcedo are leading the charge, ensuring that their stories—and the stories of their communities—are heard

Should you wait to buy or sell? Experts say housing costs threaten reputation as affordable city

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HOUSTON, Texas (KTRK) — The City of Houston’s reputation as a big city with low-cost living is at risk.

Houstonians face surging home prices, rising rent costs, and escalating insurance rates.

Local real estate expert Tricia Turner joined Eyewitness News to explain how housing is impacting the affordability of this city.

Turner said interest rates are the biggest difference in housing over the last two decades of her experience.

Rising rates have impacted prospective home buyers across the country. However, Houston, as a Gulf Coast city, has been hit particularly hard by rising insurance rates.

First-time home buyers are feeling the brunt of the affordability crisis.

Turner said younger people are facing economic challenges like student loan debt and credit card debt.

There is also a cultural shift. Younger generations are prioritizing experiences and education while waiting longer to start a family.

Turner said she thinks mortgage rates may come down a bit next year, but it’s not guaranteed.

If they do improve, that could give buyers a better chance of affordability.

Home buyers who are still struggling to find affordable housing options in today’s market, even with recent reductions in mortgage rates, could still find it challenging if home prices are increasing.

For people looking to buy a house in 2025, Turner suggests knowing your budget.

Focus on your monthly housing payment, which is affected by the price of the home, your down payment, mortgage rate, loan term, home insurance, and property taxes.

You may not be able to afford your dream home right now, but consider your budget and buy something practical.

This story comes from our news partner, ABC13. For more on this story, click here.

Houston homes are vulnerable to winter storm damage, check four areas of your home for issues

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HOUSTON, Texas (KTRK) — Snow, ice, and frigid temperatures can cause damage that may be visible after the winter storm passes.

The sun and warmer weather on Wednesday afternoon brought a trickle of water from homes across Houston. However, melted snow could also reveal issues.

Paul Puente from the Houston Gulf Coast Building and Construction Trades Council said it’s because the materials used to build homes here are different from what’s used up north where snow’s more common.

“(Gutters here) are aluminum, and they’re made to withstand corrosion because we’re so close to the saltwater,” Puente explained. “I’m assuming the ones up north are a lot thicker.”

Puente said if ice and snow fill the gutter, it could cause them to bend.

“It’s best just to leave it alone,” Puente said. “It’s best just to let the sun melt it. It doesn’t stay cold too often here, so you wouldn’t have to manage it.”

If you lost water pressure, your pipes may have frozen. Experts said you’ll know if there’s a problem from that.

“All these lines are under pressure,” Puente explained. “You’ll see them kind of spew out like a sprinkler.”

If you have a sprinkler system, you may have turned it off. Puente said leave it that way until the snow is gone.

“(Sprinklers) may have some ice on the top of them and it’ll prevent them from popping up,” Puente said.

The snow didn’t just pile up on the grass but on the roof, too. Experts believe this could cause damage.

However, a lack of snow on the roof can reveal an issue, too. If one area on your roof wasn’t covered in snow, head to the attic and look for a possible leak.

“Sometimes, if it’s a day like today where it’s bright, you’ll see light come through,” Puente said.

Winter storms can cause big property issues. Four years ago, a University of Texas study found the storm that caused power problems caused nearly $200 billion in property damages.

With the majority of power staying on this time, experts believe the number shouldn’t be anywhere near that.

This story comes from our news partner, ABC13. For more on this story, click here.

Comparing the deadly 2021 freeze to the 2025 snowfall that hit southeast Texas

HOUSTON, Texas (KTRK) — Stacking up the 2021 freeze to the snowfall in 2025 is an apples-to-oranges comparison.

The first big difference is the size of the storms.

In 2021, the cold weather impacted every single Texas county; this week’s storm impacted the southeast. This fact made all the difference in the outcome.

Because the 2021 storm was so widespread, everyone was drawing large amounts of power from the independent Texas power grid.

Unable to borrow supply from other states, people used more than the grid had available, resulting in a catastrophic failure.

In 2021, over half the state lost power, plunging people into the dark and cold for weeks.

People died of hypothermia. Some resorted to using generators at home and died of carbon monoxide poisoning.

A lack of power made it hard for some to cook or follow boil water notices.

Some parts of Texas don’t have snowplows or brine trucks, and iced-over roads cause intense crashes. Emergency crews couldn’t get to destinations, and trucks had a hard time delivering food, resulting in a grocery shortage.

In total, almost 250 people died.

According to Houston Mayor John Whitmire, it’s hard to compare the two events.

“Each storm, whether it’s a hurricane or the loss of electricity, which was 2021, is different and unique,” Whitmire said.

With a smaller portion of the state putting demand on the grid this time, CenterPoint Energy said 99% of customers kept their power. Even so, they had 3,000 workers at three staging areas ready to respond to outages.

People also stayed off the roads and at home, much to the pleasure of city leaders. On Tuesday, Jan. 21, 2025, Houston had three inches of snow.

“I give Houstonians so much credit for listening to us, being smart, using common sense, having some fun, but also staying off the roads. That was the key,” Whitmire said.

Houston rarely sees snowfall. The top five snow events are:

  • Feb. 14-15, 1895, with 20 inches of snow
  • Feb. 12, 1960, with 4.4 inches of snow
  • Jan. 30, 1949, with 3.1 inches of snow
  • Jan. 21, 2025 with 3 inches of snow

So far for this winter storm, the city is commenting on the death of one person. The city reports an unhoused man was asked to go to a warming center but refused.

He was found dead, but it’s not known if the death was caused by the cold or a preexisting condition.

This story comes from our news partner, ABC13, for more on this story, click here.