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Mayor Turner Accepts World Series Wager from Philadelphia Mayor

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Wearing a World Series pin and more than two months after the Houston Astros clinched a second World Series championship by defeating the Philadelphia Phillies 4-1 in Game 6, Mayor Sylvester Turner accepted the winning wager from Philadelphia Mayor Jim Kenney.
The two mayors met up at the United States Conference of Mayors 91st Winter Meeting in Washington, D.C.

At the start of the series, Mayor Kenney promised to send Mayor Turner a gift from Triple Bottom Brewing in Philadelphia if the Houston Astros won. The company aligns with Mayor Turner’s priorities; it is a woman-owned company powered by renewable energy and believes in hiring employees who need second-chance employment.

Mayor Kenney provided two-four packs of beer and also made a $500 donation to Houston’s Kids Meals.

“The City of Houston and baseball fans will never get tired of celebrating the Houston Astros and the 2022 World Series Championship,” said Mayor Turner. “I am grateful to Mayor Kenney for following through on our friendly wager and especially for donating to a Houston-based organization with a mission to end childhood hunger.”


SHAKIRA || BZRP Music Sessions #53

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(Uh, uh, uh, uh)
(Pa’ tipos como tú)
(Uh, uh, uh, uh)

Perdón, ya cogí otro avión
Aquí no vuelvo
No quiero otra decepción
Tanto que te las das de campeón
Y cuando te necesitaba
Diste tu peor versión

Sorry, baby, hace rato
Que yo debí botar ese gato
Una loba como yo no está pa’ novato’
Una loba como yo no está pa’ tipos como tú, uh, uh, uh, uh
Pa’ tipos como tú, uh, uh, uh, uh

A ti te quedé grande
Y, por eso, estás con una igualita que tú, uh, uh, uh, uh
Ah-oh, oh-oh

Esto es pa’ que te mortifique’
Mastique’ y trague’, trague’ y mastique’
Yo, contigo, ya no regreso
Ni que me llores ni me supliquе’

Entendí que no es culpa mía que te critiquen
Yo solo hago música
Perdón que te salpique

Me dejaste de vecina a la suegra
Con la prensa en la puerta y la deuda en Hacienda
Te creíste que me heriste y me volviste más dura
Las mujeres ya no lloran, las mujeres facturan

Tiene nombre de persona buena
Claramente, no es como suena
Tiene nombre de persona buena
Claramente
Es igualita que tú, uh, uh, uh, uh
Pa’ tipos como tú, uh, uh, uh, uh

A ti te quedé grande
Y, por eso, estás con una igualita que tú, uh, uh, uh, uh
Ah-oh, oh-oh

Del amor al odio hay un paso
Por acá no vuelva’, hazme caso
Cero rencor, bebé
Yo te deseo que te vaya bien con mi supuesto reemplazo

No sé ni qué es lo que te pasó
‘Tás tan raro que ni te distingo
Yo valgo por dos de 22
Cambiaste un Ferrari por un Twingo

Cambiaste un Rolex por un Casio
Vas acelera’o, dale despacio
Ah, mucho gimnasio
Pero trabaja el cerebro un poquito también

Fotos por donde me ven
Aquí me siento un rehén
Por mí todo bien
Yo te desocupo mañana
Y si quieres traértela a ella, que venga también

Tiene nombre de persona buena (uh, uh, uh, uh)
Claramente, no es como suena (uh, uh, uh, uh)
Tiene nombre de persona buena (uh, uh, uh, uh)
Y una loba como yo no está pa’ tipos como tú, uh, uh, uh, uh
Pa’ tipos como tú, uh-uh-uh-uh

A ti te quedé grande
Y, por eso, estás con una igualita que tú, uh, uh, uh, uh
Ah-oh, oh-oh

(Uh, uh, uh, uh)
Pa’ tipos, pa’-pa’-pa’ tipos como—
(Uh, uh, uh, uh)

A ti te quedé grande
Y, por eso, estás con una igualita que tú, uh, uh, uh, uh (it’s a wrap!)
Ah-oh, oh-oh

¡Ya está, chao!

Houston Man Sentenced to 35 Years in Prison for Killing Schoolmate Over Money During Gun Transfer

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A Houston man who was 17 when he killed a schoolmate over $250 was sentenced to 35 years in prison after pleading guilty to murder this week, Harris County District Attorney Kim Ogg announced Thursday.

“It is obvious we have an epidemic of gun violence when teenagers are shooting each other over money while exchanging guns,” Ogg said. “Getting justice for the family of the victim in a case like this, which has been pending for years, is exactly the reason we recently created the Homicide Division of our office and staffed it with some of our best prosecutors.”

Jesse Quinones, 22, pleaded guilty to murder Wednesday in exchange for 35 years in prison for killing 17-year-old Patrick Aldape around 11:35 p.m. on April 13, 2017. Quinones will serve at least half the sentence before he is eligible for parole. He is not allowed to appeal the conviction or the sentence.

Quinones was a student at ACE (Accelerated Center-Education) when he brought a 9mm pistol to a meeting with Aldape in a cul-de-sac at 500 Slumberwood in the Northshore area. Quinones had been working on a shotgun that belonged to Aldape.

The two teens met at the cul-de-sac and Quinones gave Aldape the shotgun, which was wrapped in a towel, and Aldape put it in the trunk of his car. Aldape then reminded Quinones that he also owed Aldape $250, and Quinones said he needed to go get the money.

Instead, he drove a few blocks away, loaded his 9mm pistol and returned. When he got back, Aldape walked up to the car and Quinones shot him from the driver’s seat. Quinones then fired several more times. He later told investigators he continued to shoot because Aldape was screaming and, “I had to finish it.”

Quinones then fled and ended up wrecking his car a mile and a half away in the 500 block of Federal. He ran from the crash, leaving the murder weapon behind.

A woman who was with Aldape during the shooting drove him to Clear Lake Regional Medical Center, where he later died. The woman, who still had the shotgun in the car, tossed the weapon into the bushes, where police later recovered it.

Days after Aldape died, Quinones went to a Houston Police Department storefront to confess. After homicide detectives finished their investigation, Quinones was charged with capital murder. Because Quinones was 17 at the time of the shooting, he could have faced life in prison with the possibility of parole after 40 years. As a part of the plea agreement, he pleaded guilty to murder instead of capital murder.

Assistant District Attorney Casey Little, who prosecuted the case, said resolving the case was a priority.

“It’s good that we finally got a resolution to this case for the family,” Little said. “They have been waiting for closure since 2017, and our office is prioritizing older murder cases like this so that we can get families the justice they deserve.”

Acusan a Alec Baldwin de “homicidio involuntario” por el tiroteo fatal durante la filmación de la película “Rust”

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El actor y productor Alec Baldwin fue acusado este jueves de “homicidio involuntario” en el tiroteo fatal en el set de filmación de “Rust”, informó la oficina del fiscal del distrito de Santa Fe.

“’El actor y productor de ‘Rust’ Alec Baldwin y la armera Hannah Gutiérrez-Reed serán acusados cada uno de dos cargos de homicidio involuntario por la muerte de Halyna Hutchins en el set de filmación de la película del 2021, en el condado de Santa Fe”, anunció Mary Carmack-Altwies, fiscal del primer distrito judicial de Nuevo México este jueves por la mañana.

El asistente de dirección de la película, David Halls, firmó un acuerdo de culpabilidad “por el cargo de uso negligente de un arma mortal”, anunció también la oficina del fiscal en su declaración, y agregó que los términos de ese acuerdo incluyen seis meses de libertad condicional en suspenso.

No se presentarán cargos contra el director Joel Souza, dice el comunicado.

En una declaración por escrito, la abogada de Baldwin, Chloe Melas, aseguró que la decisión “distorsiona la trágica muerte de Halyna Hutchins”.

“El señor Baldwin no tenía motivos para creer que había una bala real en el arma, ni en ninguna parte del set de filmación. Se apoyó en los profesionales con los que trabajaba, quienes le aseguraron que el arma no tenía balas. Lucharemos contra estos cargos y ganaremos”, indicó.

arma rust fbi

El set de filmación de “Rust”.

Por su parte, el abogado de la armera Gutiérrez Reed, Jason Bowles, emitió una declaración en la que afirmó que “están absolutamente equivocados en cuanto a Hannah: esperamos que un jurado la declare no culpable y que concluya que no cometió homicidio involuntario. Ha estado conmocionada por la tragedia, pero no ha cometido ningún delito”.

En marzo de 2022, Gutiérrez Reed había que no la llamaron para inspeccionar el arma que finalmente disparó una bala real e hirió de muerte a Hutchins. Emitió la declaración en respuesta a una presentación legal en la que Baldwin dijo que Hutchins le dijo que amartillara el arma.

“El señor Baldwin sabía que no podría apuntar con un arma de fuego a los miembros de la tripulación bajo ninguna circunstancia y que tenía el deber de proteger a sus compañeros”, dijo Gutiérrez Reed.

“Sin embargo, apuntó con el arma a Halyna antes del incidente fatal contra todas las reglas y el sentido común”, agregó.

CNN se comunicó con el actor Alec Baldwin y la armera Hannah Gutierrez Reed para obtener comentarios, y se comunicará también con Halls y Souza.

La declaración de la fiscal Mary Carmack-Altwies

La fiscal Mary Carmack-Altwies habló este jueves con Josh Campbell de CNN sobre la decisión tomada con respecto a la presentación de cargos en el caso. Según ella, ubo una serie de factores que contribuyeron a la decisión, incluida “la falta de seguridad y estándares de seguridad en ese set, que hubo armas de fuego en el set que se mezclaron con armas ficticias”.

“Nadie estaba controlando esto, o al menos no lo estaba haciendo de manera constante. Y luego, de alguna manera, un arma fue cargada con balas reales y entregada a Alec Baldwin; él no la revisó, no hizo ninguna de las cosas que se suponía que debía hacer para asegurarse estar a salvo él y el resto de la gente a su alrededor. Y luego apuntó con el arma a Halyna Hutchins y apretó el gatillo”, dijo.

La fiscal Mary Carmack-Altwies.

La fiscal Mary Carmack-Altwies.

“Este fue un set realmente relajado”, dijo y añadió: “Nadie estaba haciendo su trabajo. Había tres personas que si hubieran hecho su trabajo ese día, podrían haber evitado esta tragedia, y esos son David Halls, Hannah Gutierrez Reed y Alec Baldwin. Si hubieran hecho sus deberes básicos, no estaríamos aquí”.

Los hechos

Baldwin sostenía un arma en la mano mientras ensayaba una escena de la película en el Rancho Bonanza Creek de Nuevo México en octubre de 2021 cuando se disparó un tiro que mató a la directora de fotografía Halyna Hutchins e hirió al director Joel Souza.

Desde entonces, el episodio ha desatado un torbellino de acusaciones de negligencia por parte de los involucrados. Baldwin sostiene que no apretó el gatillo.

En el resumen de la investigación post mortem sobre la muerte de Hutchins, que fue firmado formalmente por el investigador médico en jefe de Nuevo México, la causa del deceso como “herida de bala en el pecho” y la forma figura como “accidente”.

Source: cnnespanol

Dr. King’s unfinished work is ours to complete

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Nearly 60 years ago in August 1963, over 200,000 people joined the historic March on Washington for Jobs and Freedom to demand civil rights, equal treatment, and economic justice for Black people. In front of the Lincoln Memorial, Rev. Dr. Martin Luther King Jr. gave his visionary I Have a Dreamspeech that still inspires today.
He described the “fierce urgency of now” as the time to take action, seek justice, and hold our nation to its promise. Today, we are living in another moment of “fierce urgency” that must be met with fierce action. Over the past few years, a raw resurgence of racism, bigotry, and extremism is fueling attacks on our democracy, fundamental rights, and hard-won progress. We are tasked to defend what’s been won by those who fought and sacrificed before us while pushing forward toward freedom and equality for all.At the same time, people are recovering from a pandemic that worsened and widened the rampant racial, social, and economic inequalities that existed long before Covid-19. Ongoing inequality, stagnant wages, and rising costs are pushing the American dream out of reach for people who simply want the opportunity to make better lives for themselves, save for a rainy day, and build wealth for their families. People struggle to get by when they deserve a fair chance to get ahead.

Dr. King understood that economic justice was key to people being able to live freely and equally beside one another. That’s why economic equity is at the heart of the work being done to create a more just, inclusive, and prosperous Harris County. The county is making needed investments to bridge the economic divide and level the playing field with opportunities and services that put the American dream within reach.

The Harris County Department of Economic Equity and Opportunity (DEEO) is leading a workforce development effort that will train people for living wage jobs, connect them to competitive career paths, and provide opportunities for apprenticeships. The department is also making sure that everyone, including minority- and women-owned businesses, can fairly compete for county contracts, which helps create good-paying jobs and wealth where they’re needed most.

Harris County is leading by example in the fight for living wages. The county previously established a $15-an-hour living wage for county employees and was the first county in Texas to require contractors on certain construction projects to pay workers a $15-an-hour living wage. Now, the county is working to expand the living wage policy to every county contract, which will create more job opportunities in the region.

Harris County is also working to ease the economic strain of childcare and housing with historic investments in affordable childcare and housing. The county’s housing initiatives help renters and buyers live in homes they can afford, provide eviction and foreclosure assistance to help keep people facing economic hardship in their homes, and protect the rights of renters living in county-funded properties. The historic investments in childcare will increase the number of affordable childcare centers and home-based providers—making high-quality childcare accessible for thousands of families.

There are still challenges ahead, but the progress we’re making on the economic opportunity will help lead to the just and equitable society that Dr. King glimpsed from the mountaintop. His unfinished work is ours to complete.

CAFE CON GILBERT

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Que Onda Magazine feliz por compartir y patrocinar con nuestros amigos el sábado 14 de Enero por la mañana en las instalaciones del Restaurante Mexicano El Jardín propiedad de la Familia González las presentaciones de los Candidatos a diferentes postulaciones en la Ciudad de Houston Texas, donde más de 200 personas disfrutaron un café con Gilbert acompañado de Iván Sánchez, Conchita Reyes, Joaquín Martínez, Cynthia Reyes, Mario Castillo, Holly Flynn, Jonathan Estrada, Emmanuel Guerrero, Sophia Saenz, Richard Cantu.–

Gerardo Ortiz – Quién Se Anima

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Quién se animaDijo mi compadreCuando me enfiestoNo hay como pararleLa baraja, mis platicas largasGente muy finaBuenas amistades
CuliacánLa gente de arribaComo mi padreToda su oficinaMis respetosLes tengo cariñoCuida mis pasosLo sé desde niñoY quién se anima
Y arriba el simple en medio Badiraguato, Sinaloa viejoAy nomás
Quién se animaQue le entre con ganasA los negocios donde hay buena lanaLos placeres, la banda y mujeresPero responsable en todos mis quehaceresBuen amigo de buenos principiosYa bien lo sabe, la gente que estimoEn negocios soy muy cuidadosoLos buenos consejos que tuve de niñoY quién se anima

Voz De Mando – El de Arriba

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Lo que tengo, con sudor me lo he ganadoYo camino lento, a paso muy honradoNo ando con charola, presumiéndole a la genteLo que no me pertenece
No hay necesidad de ensuciarme las manosAunque digan muchos que la tranza es el progresoYo me sé ganar con huevos cada pesoSin venderle el alma al diablo
Cada quien elige en vida sus infiernosYo elegí, ser de los buenosPero hay muchos tontos que confunden esoY te tachan de pendejo, hacen malPero no me acomplejo
Yo caminoDerechito, como me enseñó mi madre, con propósito en la vida¿De qué sirve ser chingón si chingaste a varios por estar arriba?Chingones son los que, sin opacar a nadie, siempre brillanYo caminoDerechito, como me enseñó mi padre, sin rajarme en la subidaNunca dejes que otro cargue tu morral o te muestre otra salidaLucha fuerte con valor y sin dudarQue la recompensa siempre ha de llegar, nunca falla el de arriba
No hay necesidad de ensuciarme las manosAunque digan muchos que la tranza es el progresoYo me sé ganar con huevos cada pesoSin venderle el alma al diablo
Cada quien elige en vida sus infiernosYo elegí ser de los buenosPero hay muchos tontos que confunden esoY te tachan de pendejo, hacen malPero no me acomplejo
Yo caminoDerechito, como me enseñó mi madre, con propósito en la vida¿De qué sirve ser chingón si chingaste a varios por estar arriba?Chingones son los que, sin opacar a nadie, siempre brillanYo caminoDerechito, como me enseñó mi padre, sin rajarme en la subidaNunca dejes que otro cargue tu morral o te muestre otra salidaLucha fuerte con valor y sin dudarQue la recompensa siempre ha de llegar, nunca falla el de arriba

Mayor’s Office of Cultural Affairs Awards $62,500 to Projects Promoting Tourism and Resilience

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The City of Houston Mayor’s Office of Cultural Affairs (MOCA) is awarding $62,500 in grants to 7 individuals and nonprofit organizations whose work furthers cultural tourism and resilience in the city.

“The grantees this quarter solidify our city’s image as an Arts City,” says Mayor Sylvester Turner. “We are not just a Space City or Bayou City, but because of the  incredible amount of talent and diverse type of arts that can be found and supported by the city, we are also an Arts City.”

The latest city initiative grantees are:

●    Rivkah French: “Emulsion”
Emulsion is a new immersive Virtual Reality dance film by Rivkah French that explores the beauty and intimacy of relationships. By shooting and presenting this film with VR technology, Emulsion brings the viewer into the experience of moving with the dancers, rather than viewing them from a distance. Emulsion will be presented in conjunction with neighborhood-focused filmmaking workshops at multiple venues across the 5th Ward, culminating in a public showing of the participants’ self-made films. This grant was awarded under the Neighborhood Cultural Destinations category.

●    C-STEM Teacher and Student Support Services: “The C-STEM Little Library Free WiFi Public Art Project”
The C-STEM Little Library Free WiFi Public Art Project offers free books to increase STEM literacy and awareness of health/wellness, bridges the digital divide by providing access to the Internet of Things (IoT), beautifies the community, increases usage of underutilized pocket spaces in the community, and creates safer neighborhoods. This grant was awarded under the Neighborhood Cultural Destinations category.

City’s Initiative – C-STEM Teacher and Student Support Services
●    God’s Grace Community Church: “Christmas in the 4 4”
The “Christmas in the 4 4” is a formal event that showcases national artists as they perform Christmas selections. This event is scheduled the third week in December every year on a Friday night at 7 PM. It is held at God’s Grace Community Church, 9944 West Montgomery Road. After the concert, a reception is held in the fellowship hall. This grant was awarded under the Neighborhood Cultural Destinations category.

●    Hispanic Alliance For Performing And Audiovisual Arts
HAAPA will honor the 80th anniversary of the publication of The Little Prince by Antoine de Saint-Exupery through a play.  The play will bring to the visual plane the philosophy explored in the book and promote its knowledge to new generations of artists and audiences, as well as bridge the community to the artistic expressions of Latinos.  This grant was awarded under the Neighborhood Cultural Destinations category.

●    Justin Grant
To celebrate the line as an essential conceptual element in the visual arts, a year of exhibitions and events is planned that includes a program of educational activities for the community and students. The activities will take place in Sabine Street Studios, part of the Sawyer Yards located in the established Arts District Houston. The programs coincide with the formation of a new exhibition space called East Corridor Gallery, or ECG, designated exclusively for the exhibition of local artists and creatives whose work emphasizes the practical and conceptual elements of the line and its many facets. This grant was awarded under the Neighborhood Cultural Destinations category.


City’s Initiative – Justin Grant
●    Andrew Davis: “SOLEVISION II”
On June 18, 2023 the second installment of SOLEVISION, “SOLEVISION II”, will occur at Emancipation Park (venue subject to change). The hybrid on-site & digital performance will highlight and draw from conversations held between Houston-based artists Andrew ‘TAME, The Aspiring Me’ Davis, Kazembe “DJ Elevated” Gray & Ariel Bounds. The conversations will expand upon the narrative of the initial SOLEVISION, self-perception, and world reflection, along with the proximity of Juneteenth as it relates to the artists; the culmination of the conversations will be expressed through live performance, mixed media and set design.

●    Segundo Barrio Children’s Chorus
Segundo Barrio Children’s Chorus is being established as Houston’s first bi-lingual children’s choir, whose mission is to enrich the lives of children and families through transformative performance opportunities which engage residents, build communities, and share with visitors the unique cultural identity of Second Ward/East End. This pilot-project targets children from immigrant and Spanish-speaking households ages 4-12, offering bi-lingual mentoring and access to the Arts, including music/vocal instruction. By utilizing a unique, culturally-informed curriculum, the choir aims to reduce drop-out rates, strengthen families, and foster pride in community for residents and visitors through appearances at community and city-wide public events.

All of these grants have been awarded under the Neighborhood Cultural Destinations category. For more information on past grantees, click here. To see upcoming events from previous or the latest 2022 grantees, visit the frequently updated Cultural Events Calendar.

The funds are awarded through City’s Initiative, a competitive grant program that is administered by the Houston Arts Alliance (HAA) and funded by a portion of the city’s Hotel Occupancy Tax. The program opens four times a year and offers grants in three categories: neighborhood cultural destinations, conference tourism, and resilience awareness. In addition to these funding categories, MOCA awards a small number of special community initiatives each year.

About the Mayor’s Office of Cultural Affairs
The City of Houston Mayor’s Office of Cultural Affairs guides the City’s cultural investments with policies and initiatives that expand access to arts and cultural programs in the community, attract visitors and leverage private investment. Learn more at www.houstontx.gov/culturalaffairs and follow us on Facebook & Instagram @HoustonMOCA.

About Houston Arts Alliance
Houston Arts Alliance (HAA) is a local arts and culture organization whose principal work is to implement the City of Houston’s vision, values, and goals for its arts grantmaking and civic art investments. HAA’s work is conducted through contracts with the City of Houston, overseen by the Mayor’s Office of Cultural Affairs. HAA also executes privately funded special projects to meet the needs of the arts community, such as disaster preparation, research on the state of the arts in Houston, and temporary public art projects that energize neighborhoods. In short, HAA helps artists and nonprofits be bold, productive, and strong. To learn more about HAA, visit www.houstonartsalliance.com and follow us on Facebook & Instagram @HoustonArtsAlliance.

Texas Supreme Court ruling gives life to proposed $30 billion dollar Dallas-to-Houston bullet train

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https://img.particlenews.com/image.php?url=0TbkRW_0k8gF9ZV00

For nearly six years, Texas Central pushed for the construction of a Dallas-to-Houston bullet train to connect the two populous cities.

The proposed high-speed rail would cost $30 billion to build and would shuttle passengers between Dallas and Houston in just 90 minutes.

Plans for the bullet train hit a snag last year when former Texas Central CEO Carlos Aguilar suddenly resigned, though.

Aguilar, who was the project leader, stepped down shortly before a major Texas Supreme Court ruling on the train.

When Aguilar resigned, it was as though the hope for the bullet train walked out with him.

Despite Aguilar’s resignation, though, the Texas Supreme Court granted the train developers eminent domain.

In a 5-3 vote, justices ruled that Texas Central does have the power of an eminent domain, which gives the company the legal right to force landowners to sell their property to them.

In other words, Texas Central can now begin acquiring land to build the rail upon.

We are appreciative to the Texas Supreme Court for their time and consideration of this important issue as we continue work on this innovative high-speed passenger train rail,” Texas Central said in a statement following the ruling.

The court ruling was a massive development for Texas Central. Given approval to acquire land to build, the project appears to have life.

For the first time, the gears are in motion to build a Dallas-to-Houston bullet train.

Constructing it won’t be cheap, but its $30 billion dollar price tag is well worth it to the developers, who believe it can be an economic boon for Texas.

The proposed bullet train between Dallas and Houston could pump more than $36 billion into the state economy over the next 25 years, including more than $2.5 billion in local and state taxes, according to a study commissioned by the private firm developing the project.

Still, even with its money-making potential, there are still a few obstacles in the way of Texas Central finalizing the train.

Among those obstacles are those that live along the plotted railroad. Many Texas communities have already expressed concerns about the noise and traffic that the train would bring.

As we know, money talks, so perhaps Texas Central will make residents much more convincing offers now that it has been granted eminent domain.

Should the train be made, it would be huge for Texas. Connecting the two major cities would create a lot of jobs and help bolster a Texas economy that is on the rise.

It would also make the trip between Dallas and Houston much lighter. Nearly 100,000 Texans, sometimes called “super-commuters,” travel back and forth between Houston and Dallas/Fort Worth more than once a week.

Additionally, thousands of college students travel between the two cities each year.

The approximately 240-mile high-speed rail line would offer travelers a much faster alternative- condensing the journey to just 90 minutes. This would include departures every 30 minutes during peak periods each day, and every hour during off-peak periods, according to the Texas Central.

For more information on Texas Central and the proposed bullet train, please visit the official website here.

Source: newsbreak